Collection: Divining Lines

Divining Lines evokes the idea of a line that goes beyond a simple mark to become a tool of intuition and revelation. In this exhibition, the artists explore gesture, material, and the body as ways to access invisible, subtle, and sometimes buried knowledge.

Their works resemble divinatory practices: they seek to capture what is not immediately seen, to listen to the echoes of time, emotion, and memory. The creative process here is a ritual, a silent choreography where each line and fragment of material invites us to perceive differently.

Through these lines, an inner geography takes shape — fragile and shifting — where the magic of gesture and the sensuality of materials intertwine to reveal life in its intimate form.

In Divining Lines, three artists map inner geographies through tactile forms. Drawing from quiet rituals and embodied knowledge, their works invite us to listen—to materials, to motion, and to the subtle language of care and transformation.

Caroline Boileau explores the body as a shifting site—vulnerable, open, and political. Her practice moves between performance, object, and drawing, using medical, anatomical, and poetic references. With gestures of intimacy and tension, she crafts spaces where care, instability, and resistance coexist.

Onira Lussier approaches drawing as a psychic excavation. Through layered hatch marks and digital manipulation, she creates dense, hybrid forms that hover between flesh and stone. These uncanny bodies seem unearthed rather than drawn—totemic, primal, and charged with introspective force.

Célia Beauchesne documents emotion and presence through a quiet choreography of making. Her material journals—stitched, printed, molded—trace evolving dialogues between sensation, and tactile memory. Each fragment becomes a vessel for tenderness, reflection, and organic transformation.

In their hands, the line moves the mind towards a deeply alive sense of the present.