{"title":"Material Constellations","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eCarole Baillargeon | Marilyne Bissonnette | Stéphanie Morissette | Marianne Pon-Layus | Saul Sanchez\u003cbr\u003eNovember 18 – December 27, 2026\u003cbr\u003ePart of Pictura, Triennale de peinture de Montréal\u003c\/p\u003e\n\u003csection data-test=\"page-section\" data-section-theme=\"white\" class=\"page-section \n    \n      full-bleed-section\n      layout-engine-section\n    \n    background-width--full-bleed\n    \n      section-height--small\n    \n    \n      content-width--wide\n    \n    horizontal-alignment--center\n    vertical-alignment--middle\n    \n      \n    \n    \n    white\" data-section-id=\"6a9858dbfee6125c29efa4fd\" data-controller=\"SectionWrapperController\" data-current-styles='{\n                \"imageOverlayOpacity\": 0.15,\n                \"backgroundWidth\": \"background-width--full-bleed\",\n                \"sectionHeight\": \"section-height--small\",\n   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        \"filter\": 1,\n                  \"filterStrength\": 0,\n                  \"zoom\": 0,\n                  \"videoSourceProvider\": \"none\"\n                },\n                \"backgroundImageId\": null,\n                \"backgroundMediaEffect\": {\n                  \"type\": \"none\"\n                },\n                \"divider\": {\n                  \"enabled\": false\n                },\n                \"typeName\": \"portfolio-hover-follow\"\n              }' data-animation=\"none\" data-fluid-engine-section=\"\" data-sqsp-section=\"fluid-engine\" data-controllers-bound=\"SectionWrapperController\" data-active=\"true\"\u003e\n\u003cdiv class=\"content-wrapper\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv data-fluid-engine=\"true\"\u003e\n\u003cdiv class=\"fluid-engine fe-6a9858dbfee6125c29efa4ff\"\u003e\n\u003cdiv class=\"fe-block fe-block-ea100d5d9c3eed286524\"\u003e\n\u003cdiv class=\"sqs-block website-component-block sqs-block-website-component sqs-block-html html-block\" data-block-css='[\"https:\/\/definitions.sqspcdn.com\/website-component-definition\/static-assets\/website.components.html\/e151aa35-11aa-4a63-bd42-5a098dce6037_1055\/website.components.html.styles.css\"]' data-block-scripts='[\"https:\/\/definitions.sqspcdn.com\/website-component-definition\/static-assets\/website.components.html\/e151aa35-11aa-4a63-bd42-5a098dce6037_1055\/website.components.html.visitor.js\"]' data-block-type=\"1337\" data-definition-name=\"website.components.html\" data-sqsp-block=\"text\" data-website-component-id=\"ea100d5d9c3eed286524\" id=\"block-ea100d5d9c3eed286524\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-text-block-container\"\u003e\n\u003cdiv class=\"sqs-html-content\" data-sqsp-text-block-content=\"\"\u003e\n\u003cp dir=\"ltr\"\u003eFor Pictura, I wanted to ask a simple question: where does painting begin? The five artists in this exhibition, all of whom I represent, each answer it differently. Colour, pigment and paint run through every work, but they rarely stay where we expect them to.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eCarole Baillargeon makes her own colours from plants gathered along the St. Lawrence. In \u003cem\u003ePage 88\u003c\/em\u003e, natural dyes and inks soak into handmade paper and settle into something like a rock face, crossed by a dark fissure and ancient-looking marks. Here pigment and support are one and the same. Marilyne Bissonnette moves painting into relief. In \u003cem\u003eGrisette joue à la poupée avec Marine\u003c\/em\u003e, dozens of porcelain cat heads, each glazed and painted with its own character, crowd together on a wooden panel, a portrait of belonging and singularity. Stéphanie Morissette pairs watercolour with digital printing. In \u003cem\u003eSwarm of Black Hornets\u003c\/em\u003e, a formation of reconnaissance drones hovers over a desert where irises still bloom, a scene of quiet menace drawn with her signature dark humour. Marianne Pon-Layus thins acrylic on canvas primed with clear gesso, so the bare canvas becomes the light of \u003cem\u003eHécate\u003c\/em\u003e: a three-faced goddess holding a skull among a circle of women in embroidered dress, both powerful and ambivalent. Saul Sanchez turns the question around. In \u003cem\u003eOne Thing for Another (Rebus 9)\u003c\/em\u003e, oil on canvas takes on the appearance of a porcelain plate, its painted rebus waiting to be deciphered: image standing in for word, and painting standing in for object.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eI chose these works for the way they answer one another. Real porcelain sits beside painted porcelain, and paper that becomes landscape beside canvas left to breathe. A crowd of cats echoes a swarm of drones and a circle of women. Together they form a constellation in which painting is less a medium than a way of thinking through matter. I am very proud to bring them together in one room.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eAnne Jano, Director and Founder, Galerie JANO\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","products":[{"product_id":"parliament-of-global-hawk-by-stephanie-morissette","title":"Parliament of Global Hawk","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAn illustration inspired by J.J. 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